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Music Therapy

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Sorry for the inaccuracy of the translation - has been used Google translator from Russian into English. Will appear more professional translation.


 

Music Therapy in the Age of Aquarius

 


Entry


Since ancient times, known beneficial effects of music on human health. Sounds truly heard by miracles, heal and uplift the spirit, excite, delight, sorrow.


Music heard in the current streams, Spouting sources, the noise of rain, thunder mountain streams unceasing flow of the oceans and seas. Music heard in the breath of wind, rustling leaves, chirping of birds ... It is through music people continually transmits the feelings and sensations, it is through music, he expressed his religious feeling and it was with her help, he sends his sorrows, their joys, their love and all of their deepest feelings.


Indian philosophers have said that at the beginning of human history there was no language, was, as the song goes, "eternal music." People expressed their thoughts and feelings sounds: low or high, long or short. The depth of tone indicative of the strength and power, and the pitch of expressing love and wisdom. Our ancestors were Slavs chant - the echoes of their everyday speech can be heard today in the church, when reading the Gospel, the Apostles and the Psalter. Novgorod veche was a pure opera, with arias, duets and choruses. In castles and palaces, the singing and the music sounded almost around the clock, creating a favorable psychological background of the life of the rulers.


Music can heal our grief and melancholy. She makes relive and revive the memory of our cherished memories. Music changes the perception of time and space. Music affects respiration, pulse and blood pressure. Music reduces stress and increases immunity. Music raises fortitude. Music helps plant growth, lulls children, makes the shelves march to war. Music can inspire creativity. Many writers and poets have told us that conceived their works or when listening to music, or immediately thereafter. His music is capable of beating of drums scare off evil spirits, sing the praises of the Virgin Mary, to appeal to the Buddha for the sake of universal salvation, captivate and soothe, revive and transform.


Music - a breath of the soul and consciousness. Through the music of the soul manifests itself on earth. When a higher consciousness wakes up in a man when he will develop the capabilities of more subtle perceptions, he will hear that a grand symphony that sounds in space from one edge of the universe, and then he would understand the deep meaning of life. From the first cry to the last dying breath, we reached the sea sounds and vibrations every second of our lives. This is the sound of the original creator, speech of angels and atoms, is the essence of which is so ok tailored reality and dreams, the substance and reality.

 


Excursion into history


The culture of whatever country we may take, anywhere can find information about using music in the normalization of state of mind of people, ie, in the psychotherapeutic purposes. In the cradle of human civilization - China and India, Egypt and Ancient Greece, doctors and priests, philosophers and musicians have used music for healing.
Already in the works of the first recognized theorist of music - ancient Greek philosopher Pythagoras, we find a description of how music can affect the emotional state. One of the most important concepts in the ethics of Pythagoras was "eurythmy" - a person's ability to find the right rhythm in all aspects of life - singing, playing, dancing, speech, gestures, thoughts, actions, in the birth and death. After finding the correct rhythm of the man regarded as a kind of microcosm could harmoniously enter first into the rhythm of the polis harmony, and then connect to the cosmic rhythm of the whole world.


One of psychotherapeutic success of Pythagoras, the disclosure of which has reached our days, is taming them using the music of Greek youths, angry betrayal of his lover and who wanted to burn down her house, Pythagoras ordered the musician flutist, who was at the same time, to change the musical mood of the music of the Phrygian on spodeistsky and thus reassured the young man.


Another philosopher Plato (427-347 BC. Er.) Believed that the state is no worse way to destroy morals than a departure from the harmonious music. Through the loose frets "in the soul listeners can enter a shameful and appalling - through frets too harsh. Rhythms and harmonies, thought Plato, working on the idea, do it according to themselves. Therefore the best protection of the state - the music of "power and harmonious, modest and simple. Plato and his followers believed that permitted only those pieces of music and instruments by which an individual can rise to the level of public demands.


The ideas of Plato and Pythagoras were the greatest development in the writings of Aristotle, developed the doctrine of mimesis - the representation of the inner world of man and how to influence it through art. In the theory of mimesis introduced the concept of catharsis - purification of the soul (the listener, the viewer) in the process of perception of works of art, reflecting the world of human characters and passions, and his amazing truth and beauty.


Following Plato, which the world was presented as a sounding unity, built on a comprehensive three-tier music and then talked about «musica mundana» - music universe, «musica humana» - music that sounds in a person, and, finally, the «musica instrumentalis» - acoustically perceived vocal or instrumental music. Later this concept that the soul and the human body have the same harmonic, and digital proportion as in the motion of stars in the sounds of music was perceived and Betiusom (480-524), chancellor of Theodoric. Even before the rationalism of this theory was further developed by Johannes Kepler, appointed in 1612 chief mathematician at the imperial court in Upper Austria. Following scholars of antiquity, Kepler suggested the harmony of the worlds of music. In his book "World Harmony", which became widely known among only in recent years, it is a symphony of peace, unification of all the planets in a harmonious whole. More eyes turned to the muses than through the eyes of a naturalist, he calculated using the harmonic transposition of the different trajectories of planets, basic sounds, scales and melodies, which led him later to describe the polyphonic harmony of the other planets as they might sound on the first day of creation.
Staggering, and at the same time fascinated by the fact that these ancient and almost fantastic ideas with Einstein's relativity theory have been recently transferred to the conditions of our century. Upon submission Garburgera, namely music is based on the geometric principles of the multidimensional nature, and a variety of time and sound are the basis of music, which is directly adjacent to the general plan of the geometry of the universe. With difficulty we can see that between the lofty mathematical facts and music, direct appeal to the heart, there is a close relationship, and how once put Ansermet, sounds that make music, have always combined so that they form a logarithmic system.


The spirit of Pythagoras, and imbued with a modern "harmonic picture of the world," Hans Kayser, who on the whole construction of the worlds saw an ancient phenomenon of sound. His "Harmony" is not the same harmony in music theory, but represents a more universal notion, certain information from the ancient doctrine of "Sound of Peace". He finds a characteristic trehzvuchie musical cadences in the geological structure of our earth and was based on the observations on which the earthquake waves in the different zones are manifested in the earth in different ways, and the radii of these zones resemble long strings dur-chord series of overtones, that is exactly the same similar to any person natural phenomenon, and has a surprising resemblance to him. This "trehzvuchnaya structure" bowels of the earth reduced to a representation of our earth as a huge chord and fully consistent with the ancient understanding of «musica mundana».


Music, sounding in a man, «musica humana», in the ancient world to find their match early on as a representation of the music in the pulse. This notion came from a doctor Gerofilosa, who lived 300 years BC. er. in Alexandria. Later it was seen medieval music theory, as well as medicine.


Already Roger Bacon (1215-1295) in his book «Opus tertium», published in 1267, pointed out that the pulse at regular intervals like the music, so the doctrine of the pulse, he tried to subdue the music. According to him, the doctor must know the musical proportions. Already Avicenna (980-1037) in his "Book of Healing" an entire section devoted to the relationship between pulse and music. And when this book translated from Arabic into Latin in the XII century., Has become a major medical textbook of the medieval West, the musical doctrine of measuring pulse Gerofila firmly established in medical science.


Therefore not surprising that already in the tenth century, a prerequisite for the study of medicine was considered mastery of the art. This requirement is in the XIII century, it became obligatory for a university curriculum. For example, a medical student in Paris in 1426 was necessarily requires that the medical students, receiving a doctorate, must be certified by different kinds of art. But as for candidates for the title of Master of Arts was necessary to give lectures on music, one can assume that at the end of the XIV century. every future doctor during his training was to take a course of music theory.


Once in the early XVII century music has ceased to be science-based discipline in medical universities and have not been before compulsory subject for the doctor - the music, in the XVIII century, gradually disappeared a long tradition of «musica humana», but nowadays it is again experiencing a revival.
Start the involvement of music in medical theory and practice is lost in the mists of time when music and art of healing have been inextricably linked with each other. Initially, the main role was played by the so-called healing singing. Already in Homer's Odyssey, wounded in hunting wild boar, cured by singing sons of Autolycus. In the "Iliad," says a special form of healing song, which is used as a means to protect against plague. This magical view of the healing power of music is described in a treatise by 665 BC. er. Taletas from Crete arrived at the behest of an oracle in Sparta and her singing has delivered the inhabitants of Lacedaemon the plague.


In the ancient world as a basis for healing music served as a doctrine of «Ethos» music when singing along with the central role playing and tools: Aulos, similar to the oboe, and Kitaro, similar to the lyre. Depending on the use of tools and the nature of its sound, the pace and, above all, a certain rhythm of the music each time was given special significance. At the same time the listener excited by various passions. Stimulating effect Aulos used already and Asclepius (124-60 BC) in order to liberate people from the depressed melancholic mood. Lira its gentle sound, and deeply penetrating into the soul of music was supposed to purify the human soul from excessive sensitivity and passion. Therefore, talking about cleaning music.
Already in the XIII century music was considered the most important where medical means by which it was possible to slow the aging process rights. At this "delay symptoms of aging," with music first pointed out by Roger Bacon (1215 - 1295). In «Gerontocomia» Gabriele Zerby - the first published paper on gerontology - an influence, extending the life of man, because the music, thanks to their numerical order, akin to the harmony inherent in man. This view was also expressed Franchinus Ranchinus (1561-1641) in his work «Gerocomia», published in 1627


In addition, the geriatric indication, the music as a healing agent has acquired special significance in the treatment of mental illness, especially depression, as he wrote in his Raimund Minderer «Threnodia medica» in 1619, Dane Olaus Borrihius (1626-1690) in connection with this pointed out that music was invented, not in order "... to expel the disease, and most of all to influence the mental state of man. " This comment seemed necessary, since the effect of music around the medieval towns existed speculative in many respects, even children's views. It suffices to read only «Musurgia universalis» Jesuit Athanasius Kircher, published in 1684, which states that the music opens vents on the human body, through which the evil, harmful spirits.


In 1807, in Vienna, published a book by Dr. Lichtental titled "The doctor - a musician or a treatise on the influence of music on body and its use in certain diseases," which precisely describes how music can affect the psyche, and thus, indirectly, on itself body.
In difficult situations, which sometimes seem intractable analytically hardly explainable through the use of music therapy is often possible to achieve amazing results. History holds many examples of ancient and modern times: to play the harp of David, who healed the King Saul's depression, ten-Frederic Chopin his playing the piano managed to free the Grand Duke of Poland from the terrible attacks of rage. The most convincing example is the depression of Spanish King Philip V, of which only the sounds of music could be made to get out of bed and take over the affairs of state.


In 1941, John Altschuler izoprintsipa developed a method whereby patients offers music appropriate to their mental state at the moment. For depressed patients, it was music creates a tranquil pace, for excitable - a fast. After the phrase used otreagirovaniya affect major and optimistic work.


In the first 50 years in the UK, at a school for children with mental retardation, met an American pianist and composer Paul Nordof and the British psychologist Professor Clive Robbins. Catching up with the children, both came to the same conclusion: it turns out, the music affects the expression of these guys. The first experiments have given great results, and this prompted scientists to develop a special technique - creative music therapy, which soon began to be used as a mandatory part of the rehabilitation.


But much more than simply listening to music, influences people actively making music. Physician Henry Ganzelman best described therapeutic effect of active music making. But these considerations are, of course, more to the creative musician for whom music means samoterapiyu. Artists are often on the verge of neurosis. Their creative work often serves as their emergency exit in order to overcome the neurosis and get peace of mind. Their own music relieves them of stress, which is trying to escape. Therefore, it is to some extent marked by conflict and spiritual experiences of a musician. On the other hand, the musician can their creativity to overcome suffering, and even fear of death, so the music in a metaphysical term approaches to theology.


All musical works bear the imprint of the energy of the inner world of the author - his emotions, feelings, mind. Over the past 40 years in music appeared very much new - rock, disco, jazz, electronic, space music, etc. From all variety of musical styles and especially the music should be made in the style of New Age. This line of music contributes to the harmonization of personality, spiritual growth, brings beauty and goodness. Listening to new age music relieves stress, refines and heals. This music is written by people who are in a spiritual quest, seeking to improve themselves, to become more pure and harmonious. Expressing music through its internal state, spiritually advanced people pick up listeners to the level of its inspirations, which are indispensable companions of light, joy, a sense of mission and reflections of the enlightened mind.



Nature Sound


What is sound? Science tells us that this is a definite vibration (vibration) of air, ie the external environment. But the external sound is audible only because there is sound in the inner consciousness, and when the sound inside stops, then the body can not create a foreign sound. We also know that people not only formed of vibrations, but also lives and moves in them: they surround him like a fish surrounded by water. You can imagine the human body as a live sound generator and receiver-resonator sound. Therefore, the physical effect of sound has a great influence on the human body. Mood, preferences, business, success, failure - all of life depends on the type and activity of vibrations, be they thoughts, emotions or feelings. The fact that he felt the soul, there is vibration senses. Mastering the mind - the vibration of thought. What the ears hear and eyes see, - vibration dense, crystallized from the field of state and manifested in the atoms that make up the physical world and of which consist of its elements: air, fire, water, metal, earth.


Students in the classroom physics experiments are often carried out with the generation of pure tones by observing their effects on various materials such as sand, oil, and water. In these experiments, we can see how the sand formed into precise geometric shapes, where the violin bow across the edge hold of a metal plate on which the sand. Some tones make the oil floating on the surface of water to thicken, or vice versa to share like an amoeba, if the tone frequency povyshetsya. Tiny particles of salt, there is one on the other, make dance like human figures, as they react to the vibrating surface under them.


Physics, trying to determine the nature of physical substance, plunging into their studies deeper and deeper into the realm of atomic and subatomic particles, finding that there was nothing there, at least, there is no substance. They describe the tiniest subatomic particles as "interference zones" of different sound frequencies. Vibration is in the root of each phenomenon, but, perceiving the sounds of the world, we do not always respond to them.
Vibrations are endless in its structure. The finest of them are not even perceptible soul. The soul itself is a vibration. Many mystics claim that the spirit is also a vibration. Vibration incredibly fast and powerful. Not for nothing, probably, the Bible says that in the beginning was the Word. If we understand this word as a combination of vibration and voleizyavleniya Creator.


At the level of sound vibrations cause a variety of tones, and in the physical space of light - a variety of colors. And the color and sound have an impact on the human soul in accordance with the law of harmony. To thin the soul becomes light, and an even more subtle - the sound. He may have a desirable or undesirable effect on the human mind and body, and healing effect without drugs, whose action is also associated with the vibrations, namely, is their assimilation.


Sound permeates all human beings and in accordance with certain of their influence will slow down or speed up the rhythm of blood circulation, stimulates the nervous system, or calms her, awakens in a person stronger passion or appeasing it, brings peace. Very often people are cured of the disease through repeated repetition of certain words and mantras, because their sound gave the corresponding energy center of the body vibration necessary for its recovery. In shamanic ritual drum sounds, rhythmic chants and spells, penetrate into the depth of people's minds, forcing them to vibrate every cell, is introduced into a state of ecstasy. And then they can jump into the fire and not burn, cut himself with a sword, and instantly heal, swallowing fire and burned. These altered states of consciousness similar to those which occur when reading prayers, mantras, and no matter what language they are satisfied, the whole thing in a vibratory structure of the rhythm.



The main components of music


Rhythm. This is the original and fundamental element of music. Music primitive community consists solely of a rhythm. That it is called the "heart music". Rhythm has the most powerful and direct impact on people - and on his body, and emotions. Life of the body based on different rhythms: respiratory, heart, different movements, activity and rest, not to mention the more subtle rhythms at the level of cells and molecules. Psychological condition of the person, too, has its complicated rhythms: winged and depression, grief and joy, zeal and apathy, strengths and weaknesses and so on. All these states are very sensitive to the musical rhythms. Is it because they have the magic to excite and soothe, heal and destroy ... There are certain actions in which the rhythm of the body, emotions and music interpenetrate and merge into a single unit. This happens in the dance, which can be called live music coming from the soul of man. Recently, doctors found that shamans rhythmic drum beats in the act on the psyche of the patient, stimulating the underlying structure of his brain. American ethnographer Michael Garner, first mastered shamanic "techniques", even managed to use them to cure his friend of alcoholism. It is known that at constant drunkenness endogenous ethanol - the natural alcohol produced in small quantities in the body, gradually disappears, and to make up for his loss, alcoholics need to take daily dose at the nearest stall. Garner found that the rhythms of drum raise the level of natural ethanol, and the mental state comes back to normal.


Melody. The combination of rhythms, tones and accents give birth each time a unique melody. It affects the listener is particularly intense and diverse. Melody evokes not only emotion but also feelings, images and beliefs that strongly affects virtually all bodily functions, especially in the nervous system, breathing and circulation.


Harmony. Melody is formed by a sequence of sounds. Harmony is also a simultaneous sounding of several sounds, harmonizing with each other, which form chords. Due to various vibrations radiate these chords in the soul of listeners there is a feeling of harmony or dissonance, that in any case have some physiological and psychological effects. The predominance of dissonance in modern music is an expression of disorder, conflict, crises, which bring suffering to modern man.


Timbre. Everyone who has a musical ear, a different feel the charm of a violin or flute, harp and soprano. The composer skillfully combining various instruments in an orchestra can bring a huge audience to a frenzy, the whole stadium ...



Music & Esoteric


The word "esoteric" derives from the Greek esoterikos, "internal". The term originated in the Hellenistic period (IV-III century. BC). Historically it meant Occult Science, "an internal doctrine of" religious, philosophical or other exercises that are available only passed the rites of the higher initiations.


Esoterica today - it generalizes the name of the modern doctrine or, more accurately, perceptions of the world and man as the unity of macrocosm and microcosm, not restrict ourselves to one only by their material characteristics, the method of learning the "inner essence" of all things, a measure which is known to man.


At the heart of contemporary esotericism is a comparative study of the teachings of East and West whose purpose - to help people get to know first of all myself, so if the measure of all things - himself, for without this he can not know everything. A Self-knowledge, as is known, not only the oldest but also the most difficult of the tasks that ever puts the person without reason at the temple of Apollo at Delphi was written: Gnwri se auton - "Know thyself."


Music from ancient times attracted the attention of the secret influence on a person coming from her by an unknown force, capable of influencing human behavior. In ancient Greek music, a certain frets were attributed to the exact properties of the formation of any moral human qualities. Ancient Greece had the frets:
Ionian - lyrical, erotic.
Dorian - courageous, nravoukreplyayuschy that protects against misfortune, the historically central way.
Phrygian - an exciting, aggressive.
Lydian - relaxing, inhibitory.


Music has always included constant part of any ritual, festival. Musicians believed possessed otherworldly forces, and other instruments through which the gods speak to people.


Modern skeptics of science dispelled myths about the most unusual properties of melodies. However, one of the most striking of its qualities - the levitation force of music - to this day remains a mystery even to them. Unfortunately, the countless testimonies of how to use it to the air lift objects of varying severity, science has not helped.


In the Indian village Shivapur stands a small mosque built in honor of Sufi saint Ali Camara Dervis. In its courtyard is a stone weighing about 63 kg. And to this day during the daily prayer 11 ministers gathered around the stone, repeating the name of a saint. When their voices reach a certain height, the monks are able to raise the huge stone, keeping it only one finger each. Once the singing stops, they quickly bounce back, and the stone falls to the ground. The secret lies precisely in the hymns and eleven votes - the formula needed to lift the stone into the air. Reaching a certain height, the voices of the servants of changing vibration characteristics of the stone and make it lighter.


Another manifestation of the levitation properties of music observed in Tibet, a Swedish engineer and aircraft builder Henry Kellson. He described how the monks dragged the stones in an area of 1.5 square meters with the help of oxen on the plateau, and placed them in a special cupped hole. It was located near the 400-meter cliff, where it was necessary to build the temple. Beside her stood 19 musicians, and behind them the columns, radiating, lining 200 priests.


All musical instruments (13 reels in three sizes and 6 large pipes) have been sent to the pit. On command they all begin to sound, and the priests sing in unison.


4 minutes Kellson noticed that the stones in the pit started to shake and sway from side to side. As the sound the stones were raised in the air for 400 feet, while flying on a parabolic trajectory just before the precipice, where he was to build the temple. According to an engineer, so the monks could lift and carry five to six stone slabs per hour.


Several years later, Swedish physician Earl, also watched these amazing phenomena. Then he worked in Oxford Scientific Society in Egypt and was invited to treat the Supreme Lama of Tibet. Yarlu allowed to shoot the film the whole ritual with levitation stones. But then Oxford Science Society confiscated film, saying that because Earl was then working on them, movies are the property of the society. Hid them in the archives under the heading "Top Secret", and the location of the films is unknown so far.


But on this "Case of Tibetan monks," is not over. In his music album "Genesis Grail Kings" Adrian Wagner reproduced the first four minutes of levitation ritual of Tibetan monks, using the scheme described earlier Kellsonom. After the laser disc Wagner received some feedback from listeners, who observed during disc play strange phenomena. One said that the music continued to sound even after the player was disconnected. Others wrote that during the playing of this music in the room took off various objects.


As the depletion of energy resources of the earth man would have to seek other sources of energy. Who knows, maybe one of them will be the levitation force of music. However, for this would first have to unravel the nature of the surprising phenomenon ...


St. Augustine even thought the music and mathematics at the true language of God. Art in general and music in particular the most closely associated with the esoteric experience of man, largely based on specific, higher states of the human psyche, in the super-consciousness, the unknown, hidden areas of receiving and processing information. There are many secrets, secrets excellence, going deep into the spiritual world of man, the source of his creative powers. Not accidentally art has always been associated with magical and religious experience, which his relatives state of inspiration, inspiration, inspiration, ecstasy, feeling that the artist is only a translator, a voice of some higher power. In art, people truly free, because the flight of his imagination creates a different reality.


Search for the hidden, esoteric meaning of peace and human destiny lies precisely in the immersion into all the deeper layers of consciousness, where there is a source of inspiration and enlightenment. Avoiding the real dimensions of being, a sense of the passage of time and the deployment of spatiality, the ability to operate with ideal entities that do not have enough details of the draft - all this is the essence of art, especially music.


Along with the interaction of personality with the outside world (the sphere of public knowledge and activities), there is a spiritual immersion, leading to the knowledge of the inner space of personality, the origins of creativity, wealth of esoteric (private knowledge). It's like I'm two special rights, existing and operating under different laws in the same space-time coordinates, although, naturally, intersecting with each other.


First, everyday I am acting in the usual time scale, has deployed the structure of thinking logically and causally linked, fairly smooth transitions, it feeds externally derived information and processes and evaluates her life according to the program, ideals, interests, traditions, work here volitional processes. Second, creative I do not repelled by the life goals and standards (though indirectly connected with them), but from certain internal, embedded in the depths of the subconscious, the structures of the subjective, spiritual ideal of the sacred and artistic expression of human nature and the world. There appear peculiar, variable time and space, acts a certain logic of interaction, dominated by intuition and not volitional processes. Arising in these circumstances, a spiritual entity (including art) breaks into reality, but does not merge with it, and coexists in parallel to obtain the status of eternal truth, beauty and perfection. Here are the hidden mechanisms of intuition, inspiration, insight, imagination genetic memory and other structures of the second I come from some inner, germ, overcompression fact, some initial ideas, first impulse.


Many composers have noted the effect of influx in the works. Not by chance the word inspiration (someone has breathed in the artist's work) indicates that this initial sense. Brahms claimed in one letter: "I do not take any responsibility for his music: it is given me a special power. I am responsible only for the way I designed it. " Beethoven exclaimed: "Do you think I am thinking about some damn fiddle when the spirit speaks to me?" .. "Tchaikovsky has repeatedly stressed that the immediate inspiration, not subject the will of man, that here there is a special state of obedience to the inner voice, a certain supernatural power that moves the creator. "Music just rushing out of me" - he wrote P. Jurgenson. In this state, it does not work, and pleasure, the work comes with absolutely inconceivable ease. Forget everything, my soul trembles from some totally incomprehensible and ineffable sweet emotion, absolutely no time to follow her impulse somewhere, time goes virtually unnoticed.


It can be assumed that the germ, the original essence of the second, I am a creative artist is identified with the innermost core of personality, which, according to the Indian philosopher Vivekananda, represented the core of the cosmos, where in deep meditation, felt the vibration and music of the Vedas, sounding like a chord in the color blue, cold fire.


Scholars of ancient India believed the science and art derive a creative principle. All knowledge of ancient India are concentrated in the Vedas (sacred Hindu scriptures) and one of the 4 main Vedas Sama-Veda is entirely devoted to music. In accordance with the Vedas creation of the world began with the primordial sound Om became apparent at the time of the separation of the Almighty God (Sadasiva) and their creative energy (Adi Shakti). This became the foundation of Om entire universe and was the first musical sound. (It is estimated that the entire Indian music evolved from this sound.) Om is the personification of the god Ganesha - the embodiment of innocence and purity - the principle of the first chakra, muladary, located at the base of the whole subtle system of rights, which consists of 7 main chakras and 3 channels, which control the mental , emotional and physical human life.


Chakras are located along the central axis of the body, from the tailbone to the crown. Chakras are not anatomy, is not composed of molecules and cells, but represent an oscillating circuit, the complex frequency range, resonating with external sources of vibration.

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Above is an excerpt from the book Anjey Satori "Music Therapy in the Age of Aquarius."



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Music Therapy